Song Review:: Catch the Young: Baby, Why Do You Leave Me {Sanullim's 50th Anniversary Collaboration}
- Release date: 2026 June 01
- Album tracklist: Baby, Why Do You Leave Me; Baby, Why Do You Leave Me (inst.)
- Album runtime: 7 minutes
How did they know I was thinking about doing one of Sanullim's songs in the next few months? How did they know? How did Catch the Young know? In all honesty, I love how they've carved out a little niche for themselves by remaking a bunch of older songs. And in the case of this song, if I found the correct song, this one was originally from 1979, which was decades before even I was born and I'm older than all the members, and is part of a 50th anniversary collection wherein a bunch of other bands were apparently invited to cover or remake their songs. This is super cool, everyone. I'm not going to cover all of the songs because there are at least three albums worth, but I really like this band. Some of the artists that are part of this, I've never heard of. Which is fabulous. Also, in case anyone cares, on Sanullim's Vol. 1 album from back from 1977 (the same year the original Star Wars was released, because I like placing events in conversation with each other), they have an almost eight minute long track called "Celadon (Arirang)".
Oh, this is fun. This is a fun instrumental. It's a little bit gospel-y in places, with strong guitar and drums throughout. It's funny, because there are a couple of sections where my brain goes "Yes, this could be late 70s, early 80s", and then five seconds later, the modern rock absolutely stomps into the song. It's one thing this band does extremely well, and that's update older songs through a more modern lens. This is great and I'm curious about the original, which I'll probably listen to after I'm done with this review.
I also love how versatile their voices are because we're getting an entirely different tone from what they had at debut here, but we're still in the same wheelhouse. The amount of vibrato they're showing off here absolutely delights me, and we have some very full-throated sounds going on. And the vocals riffs there at the end? Be still, my soul.
No music video, understandably. But seriously, this is good.
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