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Battle of the B-Sides:: Teen Top: Tell me why

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 I've got a doc that I've been adding songs to and removing from for the last couple of weeks of potential songs to cover for the rest of July. Before I tossed that list into a roulette wheel, I took a look at some of the groups I've got in my To Do playlist and added a couple more b-sides for groups in there that I hadn't covered yet. This song was actually one of them, so Teen Top apparently wanted to be covered, and they wanted to be covered now. Which is fine, you know?  Teen Top debuted as a six-member group under TOP Media (which was founded by two members of my second favorite first gen group and also has my kids ODD YOUTH) in 2010 when the maknae was fourteen. I expect better of idols-turned-CEOs. I really do. But apparently the reason why Teen Top wanted to be covered right now is because their sixteenth anniversary is right now, so happy birthday, Teen Top! Their former leader left the group because he didn't feel like he fit the idol standards (I'll f...

Song Review:: BOYFRIEND: BOYAGER 6- Starlit Voices

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Release date: 2026 May 26 Album tracklist:  Starlit Voices , Step, Deja Vu, Too Late, Time Limit - Korean ver., Starlit Voices - inst. Album runtime: 21 minutes  This post has been sitting in my drafts basically since it was released. The fact that they get to use their name again? Their fifteenth anniversary this year? The twins that are besties with Sungjae from BTOB? The concepts this group had? I'm happy about all of this. I'm glad they're still together and making music, and even happier that they got their name back. You know what I'm going to say, right? There's a violin, and that violin is front and center in the instrumental. There's a softness to the instrumental that is supported by how sweeping and cinematic it is. The Cinderella vibes are strong with this instrumental, very fairytale, very pretty. There are several spots where the instrumental follows the vocals, or the vocals follow the instrumental, rather than the two parts doing their own thing...

Battle of the B-Sides:: G-Dragon (BIGBANG): A Boy

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 Back when I was trying to fully plan out July, foolish creature that I am, I wanted a big name to help balance out what was, at the time, a lot of smaller groups and artists. And, love them or hate them, BIGBANG is one of the biggest names you can do in the world of K-Pop, and they have been for at least fifteen years. But I didn't want to do one of the group songs yet because my instinct tells me that if I'm going to do a BIGBANG song, that's going to be an event. So I planned an event that will be coming up somewhat soon. I also recognize that of the Big 3, SM is definitely overrepresented and I hadn't done anything YG yet (you may remember that I did CL last month, but I decided on her after I'd decided on BIGBANG for the YG representation) (interestingly, I technically had done something YG related much, much earlier, because YG the Dude was part of Seotaiji and Boys, and I have covered a Seotaiji song ). Instead, I asked my friend who has been listening to K-P...

Song Review:: i-dle: We made- Crow {Pre-Release}

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Release date: 2026 July 06 Album tracklist: Mono (feat. Ska water) , Gimme Dat Love , Morning, Crow , Love Is Pain Album runtime: 13 minutes  It took me so long to do this song that the whole album came out. It's fine. It's fine. And you know what? Funnily enough there are so many kpop songs called "Love Is Pain" that I could almost do an entire month of them for the Expanded Offerings. Interesting way to start this song. I would love how the electric guitar is used to provide an interesting grindy and grungy texture to the song, but it's also very repetitious through much of the song. I say that, but I also acknowledge that the song instrumentally has a very hard change of texture halfway through that cleverly uses rests to provide an aural reset so that switch isn't nearly as jarring as it could be. And then we get an organ? And audience participation clapping? And a synth being used like a violin? There are some bold choices being made here. Every time this...

Music Show Wins:: Week of 06/10 - 06/16

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  No notes! I'm just going to have this on the record so that it's done because I'm about a month behind. As always, links in the chart go to my reviews. Show Champion: tripleS "Baby Flower" MCountdown: Treasure "IF I" Music Bank: tripleS "Baby Flower" Show! Music Core: I.O.I "Suddenly" Inkigayo: ILLIT "It's Me" ASC Performance: N/A The Show: N/A The Extra Stage: Samuel "ZIGI-ZIGI-ZIGI"

Song Review:: Samuel: SAMUELiTO- ZIGI-ZIGI-ZIGI

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Release date: 2026 June 08 Album tracklist: HOLA!, ZIGI-ZIGI-ZIGI , NEVER SAY GOODBYE..., DDOOK DDAK Album runtime: 9 minutes  I've got a soft spot the size of Kentucky for Samuel, which doesn't compare to Seventeen's soft spot for him, which is the size of Alaska.  I hit play on this song and immediately twitched because that first note startled me. Big power right from the start. I'm not even going to call this Latin-esque, because it's just straight Latin music. The beat has a very specific timing to it that uses rests and eighth notes to give the beat a distinct rhythm, and there are two separate rhythms taking up the majority of the instrumental from two different percussion instruments, or maybe one of those is a synthesizer. I'm not sure. It doesn't really matter to me one way or the other. One complaint I have about the song, is that there isn't really a good and clear indication when the song starts and when it ends if you've got it on repea...

Song Review:: Hoshi (Seventeen): Snapback

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Release date: 2026 June 15 Album tracklist: Snapback Album runtime: 2 minutes  I figured I'd just hit both of the Seventeen songs that I didn't do in June. Happy late birthday, Hoshi. Less than a year left until you're back. This is your classic beat going on here and it sounds so much like Love Money Fame (am I the only one that remembers that order because it's the opposite of FML ?) that I had to stop and sing past the beginning part to figure out which song this sounded like, which is interesting that this doesn't share any songwriters with that song (not even a wild Woozi, so Hoshi apparently gave him a bit of a break). But there are some interesting sound effects going on in the instrumental occasionally, and we occasionally get rests in there to help interrupt the sound. Which is good. It's what we want. This is a lot of English for Hoshi. I'm proud of him. There's a lot of yearning going on in this song, which, as we know is something that I lov...